Raising the Dead: The Science and Literature of Resuscitation in Spain. In preparation.
The cultural significance of resuscitation in Spain has passed largely unnoticed and no single study to date has systematically addressed it. The majority of studies on the subject center on modern techniques of resuscitation and their influence on the twentieth-century medical revolution. This book aims to reveal how the questions associated with resuscitation resonated in Spanish culture, particularly from the perspective of modernity’s unending fascination with the life/death divide. It explores topics ranging from anatomy, physiology, and vitalism to grave robbery, necrophilia, and perversion.
Three of the more challenging questions the science of resuscitation raised in Spain include: if the soul flees the body upon death as dictated by Scripture, how is resuscitation possible on the dead? And, if the soul imbues the body with vital force, does the soul return from its otherworldly journey to inhabit the resuscitated body once again (and is the original body/self thus restored)? Lastly, can any lifeless body that has not succumbed to the visible processes of decomposition be resuscitated? These questions have had a direct and enduring impact on Spain’s literary, scientific, and philosophical landscapes.
Life Embodied: The Promise of Vital Force in Spanish Modernity. Montreal: McGill-Queen’s UP, 2018.
The concept of vital force – the immanent energy that promotes the processes of life in the body and in nature – has proved a source of endless fascination and controversy. Indeed, the question of what vitalizes the body has haunted humanity since antiquity, and became even more pressing during the Scientific Revolution and beyond.
Examining the complexities and theories about vital force in Spanish modernity, Nicolás Fernández-Medina’s Life Embodied offers a novel and provocative assessment of the question of bodily life in Spain. Starting with Juan de Cabriada’s landmark Carta filosófica, médico-chymica of 1687 and ending with Ramón Gómez de la Serna’s avant-gardism of the 1910s, Fernández-Medina incorporates discussions of anatomy, philosophy, science, critical theory, history of medicine, and literary studies to argue that concepts of vital force served as powerful vehicles to interrogate the possibilities and limits of corporeality. Paying close attention to how the body’s capabilities were conceived and strategically woven into critiques of modernity, Fernández-Medina engages the work of Miguel Boix y Moliner, Martín Martínez, Diego de Torres Villarroel, Sebastián Guerrero Herreros, Ignacio María Ruiz de Luzuriaga, Gaspar Melchor de Jovellanos, Pedro Mata y Fontanet, Ángela Grassi, Julián Sanz del Río, Miguel de Unamuno, and Pío Baroja, among others.
Drawing on extensive research and analysis, Life Embodied breaks new ground as the first book to address the question of vital force in Spanish modernity.
“Life Embodied examines a variety of texts – philosophical and medical treatises, poems, novels – in great detail and navigates between discussions of Hippocratism, Cartesianism, Montpellier vitalism, Romanticism, and Avant-gardism . . . Life Embodied represents a major contribution to scholarship on Spanish modernity . . . It is an excellent piece of scholarship.” —Dale J. Pratt, Professor of Spanish and Comparative Literature, Brigham Young University
“Nicolás Fernández-Medina tackles the subject [of modernity and vital force] with exemplary rigor and dexterity, offering a comprehensive and kaleidoscopic view. His familiarity with first-tier authors is matched here with an impressive knowledge of numerous voices that have traditionally been relegated to the fringes of the literary canon. The picture that emerges is a fascinating one, drawn with passion and precision, always sensitive to the details as much as the larger questions in their ever-changing nature. Life Embodied is an important book, one that will stand as a pivotal reference in future debates on corporeality and sovereignty in modern Spain.” —Enrique García Santo-Tomás, Frank P. Casa Collegiate Professor of Spanish, University of Michigan
The Poetics of Otherness in Antonio Machado’s ‘Proverbios y cantares’. Cardiff: U of Wales P, 2011.
Antonio Machado (1875-1939) was one of Spain’s most original and renowned twentieth-century poets and thinkers. From his early poems in Soledades. Galerías. Otros poemas(1907) to the writings of his alter-ego Juan de Mairena of the 1930s, Machado sought to explain how the Other became a concern for the self. In The Poetics of Otherness in Antonio Machado’s ‘Proverbios y cantares’, Nicolás Fernández-Medina examines how Machados ‘Proverbios y cantares’, a collection of short proverbial poems spanning 1909-1937, reveals some of the poet’s deepest concerns regarding the self-Other relationship. To appreciate Machado’s organizing concept of otherness in the ‘Proverbios y cantares’, Fernández-Medina argues how it must be contextualized in relation to the underlying Romantic concerns that Machado struggled with throughout most of his oeuvre, such concerns as autonomy, solipsism and scepticism of absolutes. In this volume, Fernández-Medina demonstrates how Machado continues a practice of ‘fragment thinking’ to meld the poetic and the philosophical, the part and the whole, and the finite and infinite, to bring light to the complexities of the self-Other relationship and its relevance in discussions of social and ethical improvement in early twentieth-century Spain.
“This handsome, hardback tome, with its most appropriate and sumptuous front cover depicting Rubens’ Cain Slaying Abel sets matters right [on Machado’s ‘Proverbios y cantares’] . . . This splendid book . . . shows that the finite inquiry into the works of Antonio Machado is far from being exhausted. This text is a serious and welcome contribution to that process.” —Philip G. Johnston, University College Dublin
“Fernández-Medina’s thorough and well-researched study places the spotlight on a largely unexplored facet and corpus of Antonio Machado’s poetic production, namely his shorter, more proverbial texts . . . [The Poetics of Otherness] will surely be an excellent resource for students and scholars of Spanish literature as well as those interested in gaining a thorough understanding of the philosophical, intellectual and social climate in which Machado wrote his poetry.”—Paul H. Cahill, Pomona College
“En la copiosísima bibliografía sobre la obra de Antonio Machado, ‘Proverbios y cantares’ es, con diferencia, la parte menos estudiada. De ahí que el presente estudio sea una contribución que se suma a los escasos trabajos, algunos recientes. . . con el propósito de corregir esta laguna. . . Acierta [Fernández-Medina] en aproximarse a los ‘Proverbios y cantares’ interesándose por el problema del otro.”—Reyes Vila-Belda, Indiana University
“In this essential and illuminating book on Antonio Machado’s “Proverbios y cantares,” Nicolás Fernández-Medina provides us with an in-depth and systematic study of what has been, with a few notable exceptions, a poorly understood corpus of the poet’s creative and meditative work . . . Fernández-Medina provides a deeper understanding of important recurring themes in the poet’s work: solipsism, how to know the self and the ‘real’ Other, the problematic search for God, skepticism in the face of absolutes. This densely rich study is contextualized as well with reference to Machado’s formative years . . . all leading to the transition from an early symbolist and modernista sensibility. Of particular interest, at the end of this splendid contribution to Machado studies, is to learn the degree to which Machado’s exploration of the experience of otherness anticipated some of the major philosophical discoveries of the twentieth century.”—Michael Predmore, Stanford University
“El combinar la precisión del objeto con la amplitud del marco es uno de los principales méritos de este trabajo, y hace recomendable su lectura para quienquiera que se interese no solamente por Machado, su poesía y su poética, sino también por el problemático ajuste de la cultura española a la Modernidad occidental . . . [Q]uien tenga un interés general por la poética de Machado y por las relaciones entre la poesía, el pensamiento, y la historia contemporánea, encontrará en The Poetics of Otherness de Fernández-Medina una valiosa introducción plena de orientaciones y estímulos.”—Luis Galván, Universidad de Navarra
Fernández-Medina, Nicolás and Maria Truglio, editors. Modernism and the Avant-Garde Body in Spain and Italy. New York: Routledge, 2016.
This interdisciplinary volume interrogates bodily thinking in avant-garde texts from Spain and Italy during the early twentieth century and their relevance to larger modernist preoccupations with corporeality. It examines the innovative ways Spanish and Italian avant-gardists explored the body as a locus for various aesthetic and sociopolitical considerations and practices. In reimagining the nexus points where the embodied self and world intersect, the texts surveyed in this book not only shed light on issues such as authority, desire, fetishism, gender, patriarchy, politics, religion, sexuality, subjectivity, violence, and war during a period of unprecedented change, but also explore the complexities of aesthetic and epistemic rupture (and continuity) within Spanish and Italian modernisms. Building on contemporary scholarship in Modernist Studies and avant-garde criticism, this volume brings to light numerous cross-cultural touch points between Spain and Italy, and challenges the center/periphery frameworks of European cultural modernism. In linking disciplines, genres, —isms, and geographical spheres, the book provides new lenses through which to explore the narratives of modernist corporeality. Each contribution centers around the question of the body as it was actively being debated through the medium of poetic, literary, and artistic exchange, exploring the body in its materiality and form, in its sociopolitical representation, relation to Self, cultural formation, spatiality, desires, objectification, commercialization, and aesthetic functions. This comparative approach to Spanish and Italian avant-gardism offers readers an expanded view of the intersections of body and text, broadening the conversation in the larger fields of cultural modernism, European Avant-garde Studies, and Comparative Literature.
Recent Articles and Chapters
“A Return to the Body: On Fetishism and the Inscrutable Feminine in Ramón Gómez de la Serna’s Senos.” Modernism and the Avant-garde Body in Spain and Italy. Eds. Nicolás Fernández-Medina and Maria Truglio. New York: Routledge, 2016. 3-27.
“Reality, Idealism, and the Subject/Object Divide: Antonio Machado and the Modernist Crisis of Knowledge.” Poéticas—Revista de Estudios Literarios Vol. III.3 (2016): 59-83.
“The Body of the Letter: Vital Force and the Practice of Spanish Medicine in Juan de Cabriada’s Carta filosofica, medico-chymica (1687).” Revista Hispánica Moderna 68.2 (2015): 109-125.
“Through the Sartrean Lens: Existential Freedom in Camilo José Cela’s La colmena.” Bulletin of Spanish Studies 91 (2014): 1-21.
“Autobiography and the Task of the Writer: The Case of the Young Ramón Gómez de la Serna.” Anales de la literatura española contemporánea 39.1 (2014): 61-83.
“La galería comercial de Ramón Gómez de la Serna en El hombre de la galería: modernidad y la experiencia urbana.” Bulletin of Spanish Studies 90.7 (2013): 1105-1120.
“Beyond the Boundaries of Interference: Ramón Gómez de la Serna and the Radio Revolution.” Romance Notes 52.3 (2012): 301-309.